Kirstin Maldonado Takes on Anne Boleyn in SIX: A Pentatonix Star Brings Pop-Punk Fire to Broadway

Table of Contents

1. Key Highlights:
2. Introduction
3. From The Sing-Off to the Lena Horne Theatre: Maldonado’s Unfinished Broadway Story
4. Recasting Anne Boleyn: Playing “Super Spicy”
5. The One-Act Format: Continuous Performance as a Structural Challenge
6. Training for SIX: Building a Routine that Sustains Voice and Movement
7. Vocal Strategy for Pop-Punk Singing in a Theatrical Context
8. Rehearsal Culture and the Pace of Early Integration
9. The Creative DNA of SIX: How the Show Rewrites History Through Pop Music
10. Casting Trends: Why Pop and A Cappella Singers Continue to Move Toward Broadway
11. The Role of Rotation and Guest Casting in SIX’s Longevity
12. Audience Experience: Why SIX Resonates Across Demographics
13. Logistics: Running a Broadway Show and What Audiences Should Expect
14. Balancing Fame and Craft: Maldonado’s Professional Transition
15. What Maldonado’s Casting Signals for Broadway’s Future
16. The Historical Anne Boleyn vs. SIX’s Interpretation
17. Real-World Examples of Similar Transitions and Performative Strategies
18. What Audiences and Critics Will Watch for in Maldonado’s Run
19. Tickets, Timing, and Practical Information
20. Cultural Impact: SIX and the Reimagination of Women’s Histories
21. Behind the Scenes: Collaboration with Directors, Choreographers, and Music Teams
22. The Path Forward: What This Role Could Mean for Maldonado’s Career
23. The Audience Takeaway: What to Expect From Maldonado’s Anne Boleyn
24. FAQ

Key Highlights:

• Kirstin Maldonado, Grammy-winning member of Pentatonix, begins performances as Anne Boleyn in SIX on June 1 after auditioning for the role in 2023.
• Maldonado emphasizes a pop-punk, "super spicy" take on Boleyn and has prepared with focused vocal, physical, and stamina training for the show’s continuous, 90-minute one-act format.
• SIX, the Tony Award-winning musical by Toby Marlow and Lucy Moss, continues its multi-year Broadway run at the Lena Horne Theatre and remains one of the city's most durable hits.

Introduction

Kirstin Maldonado is stepping from a cappella stages and international tours into the spotlight of Broadway’s courtly, modern retelling of history. Beginning June 1, the Pentatonix vocalist assumes the role of Anne Boleyn in SIX, the irreverent, pop-infused musical that recasts Henry VIII’s wives as chart-topping divas. Maldonado’s casting brings together two familiar strands of contemporary performance: the technical precision of elite vocal groups and the high-energy theatricality demanded by new-musical forms that blend concert pacing and choreographic rigor. Her preparation—physical conditioning, rehearsal sprints, and early New York rehearsals—signals the work behind the charisma audiences will see onstage. This move is also part of a broader pattern: singers who established careers in pop and vocal groups are increasingly gravitating back to theater, where musical storytelling and live performance converge in a uniquely demanding way.

From The Sing-Off to the Lena Horne Theatre: Maldonado’s Unfinished Broadway Story

Kirstin Maldonado rose to public prominence with Pentatonix after the group won season three of The Sing-Off in 2011. The group’s tight harmonies, inventive arrangements, and viral videos propelled them into sustained commercial success; their achievements include Grammy recognition and relentless touring schedules. Yet Maldonado’s roots in musical theater run deeper. She did community theater and show choir as a child and always harbored a dream of living and performing in New York. Her Broadway debut came in 2018 as Lauren in Kinky Boots, when the timing aligned for a personal and professional transition back toward live theater.

The path back to Broadway was not linear. Pentatonix took Maldonado to Los Angeles and a global touring life. She auditioned for SIX in 2023, but timing didn’t work out then. When the opportunity resurfaced, she traveled to New York in February to begin early rehearsals. That head start helped her internalize blocking, character beats, and the show's relentless flow. Her return to the Broadway stage now feels like both a homecoming and a new chapter: she’s not simply filling a role—she’s adapting her concert experience into a theatrical one that demands different pacing, sustained character work, and an embrace of the show’s distinctive style.

Recasting Anne Boleyn: Playing “Super Spicy”

Anne Boleyn in SIX is one of the production’s most electrifying figures. The role centers on “Don’t Lose Ur Head,” a pop-punk anthem that turns the historical tragedy of execution into a confessional, punchy performance. Maldonado’s description of her approach is succinct: “She is super spicy.” She intends to play Boleyn as “really badass” with an effortless sense of style and timing. Maldonado sees the comedy in Boleyn’s nonchalance and plans to lean into the pop-punk quality that fuels the number’s rebellious edge.

That creative decision matters. SIX’s conceit reimagines historical figures through contemporary pop archetypes—each wife maps to a musical genre and persona. Anne Boleyn’s pop-punk energy blends sarcasm, swagger, and emotional bite. The role requires a performer to inhabit both the historical echoes and a modern persona who could headline an angsty alt-rock show. Maldonado’s background—tight harmonies, rhythmic precision, and a knack for delivering character through voice alone—offers a strong foundation for this reinterpretation. Her aim to make Boleyn “effortless” is more than stylistic; it’s a staging choice calibrated to the show’s quick tempo and the need to convey presence while navigating intense physical demands.

The One-Act Format: Continuous Performance as a Structural Challenge

SIX runs as a single 90-minute act without intermission. That format shapes everything a performer does: pacing, stamina management, vocal strategy, and even costume design. Unlike a traditional musical with scene breaks that offer moments to rest, reset, and recover, SIX keeps all six performers onstage for the duration. Each queen has a signature song but also participates in ensemble numbers throughout, which means vocal output and physical exertion are distributed from first curtain to final bow.

Maldonado has described the show as “really difficult vocally and physically.” She noted that the quick push through the opening songs—Catherine of Aragon’s high-energy leadoff, for example—requires sustained stamina. Boleyn’s solo follows that initial burst, so Maldonado must manage breath, energy, and movement continuously. The one-act structure forces performers to trim any vocal excess that could compromise later numbers while retaining power and intention. It reshapes rehearsal ideology: instead of multiple discrete scenes, the show is a single athletic run that requires endurance training similar to that of a concert tour, but with the added complexity of character continuity and choreography.

Training for SIX: Building a Routine that Sustains Voice and Movement

Maldonado’s preparation has included early rehearsals in New York and a months-long focus on fitness and technique. She mentioned warming up her body, adding stretching—components that a touring vocalist might not systematically integrate into a routine. The physical demands of SIX, with dance-driven transitions and continuous onstage presence, require cross-training: cardiovascular conditioning to sustain energy, strength training to support posture and movement, and flexibility work to prevent injury.

A practical regimen for a role like Boleyn typically includes the following elements:

• Cardiovascular work: Running, interval training, and steady-state cardio to develop the capacity to sing while moving and to recover quickly between numbers. Maldonado joked she needed to “start running and singing at the same time,” which aligns with interval-based rehearsal where performers practice vocal lines during physical exertion.
• Vocal conditioning: Daily scaled warmups that start gently and build to belting practice, with care taken to avoid overuse. Exercises to strengthen breath support, resonance strategies for projection without strain, and coordination work to align consonant clarity with melodic power.
• Movement and choreography drills: Isolations, sequencing, and muscle memory training performed at full tempo. Sprinting through the show in rehearsals—cue-to-cue work that recreates the continuous nature of the performance—helps performers refine transitions and energy pacing.
• Recovery protocols: Hydration, sleep scheduling, controlled caffeine consumption, and vocal rest days. Nutrition that supports sustained energy—protein for muscle repair, complex carbohydrates for endurance, and anti-inflammatory choices—become essential during a run of performances.
• Mental conditioning: Practices that reduce cognitive load during performance, such as pre-show rituals, mindfulness, and visualization to maintain character while executing technically demanding material.

Balancing these disciplines is particularly challenging for a performer who is also a parent. Maldonado is a mother of two; the demands of child care, travel, and rehearsal add a logistical layer to physical preparation. Broadway’s typical eight-show week (a standard professional schedule including matinees and evening performances) requires careful planning for childcare, rest, and family time. Performers in such positions build support systems—partners, caregivers, and flexible scheduling—to manage consistent performance quality.

Vocal Strategy for Pop-Punk Singing in a Theatrical Context

Pop-punk as a vocal style emphasizes directness, edge, and a raw immediacy that translates well to Boleyn’s character. But singing pop-punk in a musical theater environment differs from performing it in a concert setting. Theatrical singing demands clarity of diction and text, sustained breath control for phrases integrated into staging, and the ability to modulate emotional levels to suit scene dynamics.

Key vocal strategies for integrating pop-punk into a theatrical performance include:

• Intentional distortion: Controlled grit that adds texture but is supported by healthy breath management to prevent vocal fold abuse.
• Dynamic contrast: Using softer moments for nuance and louder moments for impact without losing the storyline; that contrast preserves the narrative thread in an otherwise stylistic performance.
• Resonance placement: Forward placement of sound aids projection in a theater and supports crisp consonants needed for storytelling.
• Efficient phrasing: Phrasing that accounts for movement and choreography; performers rehearse singing while executing movement to internalize the coordination.

Maldonado’s a cappella background gives her a strong sense of blend, tuning, and rhythmic precision—skills that transfer directly to ensemble numbers in SIX. Her experience with harmonically dense arrangements will help maintain pitch integrity when the choreography pulls the performer’s center of gravity out of optimal singing posture.

Rehearsal Culture and the Pace of Early Integration

Producers and directors typically phase new cast members into a long-running show by scheduling a period of rehearsal and understudy integration. Maldonado’s early trip to New York in February allowed her to “knock some of the rehearsal out” before her public run began in June. That early work is invaluable for absorbing blocking, learning harmonies, and rehearsing choreography in a lower-pressure environment than full-speed tech rehearsals.

For any incoming performer, early integration follows several stages:

• Music rehearsals: Learning the score, harmonies, and cadences with musical supervision.
• Blocking and choreography sessions: Rehearsing movement patterns and stage geography.
• Staging rehearsals with scene partners: Building relationship dynamics and stage chemistry.
• Cue and safety rehearsals: Understanding stage exits, prop handling, and costume changes.
• Full-run technical rehearsals: Integrating lighting, sound, and costume elements.

SIX’s format—six queens who remain onstage—means ensemble chemistry is critical. The dynamic between characters, timing of laugh beats, and physical proximity all shape the comedic and musical effect. Maldonado’s early work gave her a head start in building these interactions and discovering moments where her comedic instincts can land without interrupting the show’s flow.

The Creative DNA of SIX: How the Show Rewrites History Through Pop Music

SIX, written by Toby Marlow and Lucy Moss, reframes the stories of Henry VIII’s six wives by turning their narratives into a pop concert. Each wife embodies a contemporary pop archetype: pop diva, balladeer, and—for Anne Boleyn—pop-punk brat. The musical’s structure lets each woman tell her story through song, blending humor with pointed commentary about power, gender, and historical narratives.

The show’s one-act, concert-like setup does several things:

• Prioritizes momentum: rapid scene-to-song transitions maintain audience engagement and give each number a punchy immediacy.
• Centers voices: the musical places singers in the metaphorical driver’s seat, as if they are contestants in a high-stakes pop pageant that allows them to reframe their histories.
• Encourages reinterpretation: by using modern genres, SIX invites audiences to reassess historical characters through present-day cultural lenses, often exposing contemporary parallels about agency and public perception.

SIX’s style changed the expectations for new musicals by marrying rhythmic drive and tight harmonies with choreography designed for pop-concert energy. That design creates a natural home for performers who came up in pop or a cappella formats. For Maldonado, whose live experience includes high-energy touring and precise ensemble work, the show’s DNA is a fit: it requires the vocal exactitude of studio-trained singers and the physical stamina of concert performers.

Casting Trends: Why Pop and A Cappella Singers Continue to Move Toward Broadway

The casting of Maldonado reflects a broader trend: pop, indie, and a cappella performers are finding rewarding roles in contemporary musicals. Several forces drive this movement:

• Musical style convergence: New musicals often mirror contemporary popular music in their rhythms, production choices, and vocal styling, making pop performers viable fits.
• Audience crossover: Fans of pop artists may follow them to theater, expanding a show’s demographic reach and creating fresh promotional angles.
• Technical discipline: Pop singers who tour professionally bring stamina, mic discipline, and stagecraft that translate well to theatrical demands.
• Narrative authenticity: Musicians who can embody a performer’s persona onstage bring authenticity to roles rooted in popular music culture.

For producers, casting known performers from the pop world can boost advance sales and draw nontraditional theatergoers. For artists, a Broadway credit offers an opportunity to show range, deepen acting chops, and explore storytelling in a sustained, character-driven environment. Maldonado’s move illustrates these mutual benefits: she brings name recognition and a specific set of performance skills to a show that rewards them.

The Role of Rotation and Guest Casting in SIX’s Longevity

SIX’s continued Broadway success owes part of its longevity to a flexible casting approach. The show has sustained interest by rotating performers and sometimes featuring well-known guest stars. This creates a dual appeal: regular attendees may see different interpretations of the queens, while occasional guest casting garners publicity. Maldonado replaces Dylan Mulvaney, whose final performance as Boleyn was on May 31. Each incoming artist brings distinct inflections to the role, renewing audience curiosity.

This model of rotation requires shows to maintain a rigorous rehearsal and understudy pipeline. Companies often rehearse swing actors and alternates to ensure quality continuity. For a performer stepping into an established ensemble, the expectations are clear: match the company’s energy and musical precision while offering a unique personal take.

Audience Experience: Why SIX Resonates Across Demographics

SIX combines historical subject matter with contemporary pop sensibilities, producing a rare blend: a show that educates while entertaining through familiar musical languages. Audiences come for the catchy hooks, sharp choreography, and quick pacing. They leave with a reframed understanding of the women at the heart of the story.

Several elements contribute to this resonance:

• Memorable songs: Each song functions like a single—concise, hook-driven, and emotionally direct.
• Humor and pathos: The show balances satire with moments of genuine human vulnerability, allowing it to touch both laughter and empathy.
• Visual spectacle: Costume design and staging often evoke concert dynamics, with clear silhouettes and choreographed praise that read well across theater sizes.
• Accessibility: The one-act structure and shorter run time make the show approachable for new theatergoers who might otherwise be intimidated by multi-act productions.

Maldonado’s presence may attract Pentatonix fans who are curious about her theatrical work. Those audiences might discover a different mode of performance in which the narrative arc matters as much as the vocal moment.

Logistics: Running a Broadway Show and What Audiences Should Expect

As Maldonado joins the cast, audiences will see a performer who has rehearsed early and integrated into the existing company. SIX continues its Broadway run at the Lena Horne Theatre; tickets are on sale, and the show has maintained steady attendance across its run. For patrons, the logistically notable features include the concert-like pace, the absence of an intermission, and the ensemble’s continuous presence onstage.

Practical considerations for theatergoers:

• Expect a fast-moving, 90-minute experience without intermission.
• Arrive early to navigate theater seating and pre-show announcements—once the show begins, there’s no formal break.
• The show’s sound design and staging emphasize vocal clarity and choreography; audience experience hinges on collective energy as much as on individual solos.

For those tracking casting news, the company often posts schedule updates and guest casting announcements. Maldonado’s run may coincide with promotional appearances and press, giving fans opportunities to see interviews and behind-the-scenes material that illuminate her preparation.

Balancing Fame and Craft: Maldonado’s Professional Transition

Kirstin Maldonado’s career to date demonstrates a navigated tension between commercial fame and theatrical craft. Pentatonix brought her broad exposure, demanding touring schedules, and industry accolades. Broadway asks for a different kind of visibility: regular, nightly accountability to a live audience and a concentrated investment in character continuity.

This transition requires a mindset shift. Concert performances center on setlist flow, audience engagement, and immediate crowd feedback. Theater requires a sustained inner life, character arcs, and the technical discipline to deliver consistent performances that contribute to an ensemble narrative. Maldonado’s comments about the role’s comedic timing and stylistic choices suggest she has embraced that shift. Her desire to portray Boleyn as “badass” and “effortless” blends concert charisma with theatrical specificity.

Actors who have successfully navigated similar transitions emphasize rigorous rehearsal, coaching, and humility before the process. Maldonado’s early rehearsals in New York and targeted conditioning serve as practical evidence of that methodical approach.

What Maldonado’s Casting Signals for Broadway’s Future

Maldonado’s casting is a microcosm of several larger trends shaping Broadway:

• Cross-disciplinary talent is increasingly welcomed into musical theater, especially when shows draw from pop idioms.
• Long-running contemporary musicals rely on a combination of casting stability and strategic rotation to maintain freshness and sell tickets.
• Theater remains a place where established pop performers can deepen their artistic practice and reach new audiences.

These dynamics suggest an evolving industry in which the boundaries between concert performer and theater actor are porous. Producers will continue to recruit artists with established fan bases, while artists will keep testing theatrical waters as a way to expand their creative portfolios.

The Historical Anne Boleyn vs. SIX’s Interpretation

Historically, Anne Boleyn was the second wife of Henry VIII; her marriage ended with her execution in 1536. SIX repurposes these facts into dramatized, character-driven vignettes, infusing them with contemporary voice and attitude. The show does not pretend to be a history lesson; rather, it uses history as a springboard to examine themes of agency, reputation, and who gets to tell a story.

Maldonado’s decision to emphasize Boleyn’s “effortlessness” aligns with how SIX reframes historical suffering into performative agency. Turning a tragic endpoint into a pop-punk anthem invites the audience to consider how narrative control shifts when characters speak in their own modern idioms. The juxtaposition—historical consequence and modern musical swagger—creates cognitive dissonance that fuels much of the show’s dramatic and comedic power.

Real-World Examples of Similar Transitions and Performative Strategies

Other artists have crossed between pop performance and theater with varying goals. Sara Bareilles, who moved from singer-songwriter success to writing and starring in Waitress, is an example of a musician channeling songwriter craft into theatrical storytelling. Likewise, concert performers who take on musicals often cite the opportunity to develop characters and explore longer-form narrative.

The key learnings from these examples:

• The theater requires a daily discipline that differs from touring life. Consistency is the currency of stage work.
• Audiences reward authenticity: performers who bring aspects of their musical identity while honoring theatrical technique often succeed.
• The cross-pollination between pop and theater enriches both fields: theater gains immediacy and contemporary musical textures; pop artists gain narrative depth and acting craft.

Maldonado’s move follows these patterns: she brings technical excellence from Pentatonix and applies it to a theatrical context where character and narrative are paramount.

What Audiences and Critics Will Watch for in Maldonado’s Run

When a well-known singer enters an established company, the press and public typically focus on several aspects:

• Vocal fit: how the singer’s timbre and range serve the role’s demands, and how they blend with the ensemble.
• Stage presence: whether the performer can translate concert charisma into theatrical specificity that serves the story.
• Character interpretation: new lines of nuance, comedic timing, or emotional shading that differ from predecessors.
• Stamina and consistency: reliability over multiple performances, particularly given an actress’s obligations offstage.

Maldonado’s prior Broadway experience and long-term touring background make her a plausible candidate to excel in these areas. Her early rehearsal work and explicit focus on training suggest she takes the role seriously.

Tickets, Timing, and Practical Information

SIX opened on Broadway on October 3, 2021, and has remained a mainstay at the Lena Horne Theatre. Tickets are available through the show’s official channels and authorized sellers. Casting changes are typically listed on the production’s website and theater box office notices. Performances run without intermission, and the show’s runtime is about 90 minutes, appealing to both traditional theater audiences and first-time attendees.

For fans planning to attend:

• Check the production’s schedule for performance dates and any announced cast variations.
• Purchase tickets through authorized vendors to avoid scalping and ensure valid entry.
• Consider matinee performances if the evening schedule conflicts with family responsibilities or travel plans.

Cultural Impact: SIX and the Reimagination of Women’s Histories

SIX’s impact lies in its ability to make historical women feel immediate, relevant, and unapologetic. By turning each queen into a pop persona and centering their perspectives, the show highlights how narratives are shaped by who gets to speak and the genres they inhabit. The result is accessible, feminist-leaning storytelling that has resonated widely.

Maldonado’s role joins an ongoing cultural conversation about representation and reinterpretation. Her interpretation of Boleyn—spicy, irreverent, and pop-punk—adds another voice to how historical women can be staged: as empowered, witty, and complex individuals who command the stage rather than existing solely as footnotes to monarchs.

Behind the Scenes: Collaboration with Directors, Choreographers, and Music Teams

Stepping into a major musical involves coordination with multiple creative departments. Maldonado will work with directors, choreographers, musical directors, and costume designers to shape her portrayal. Collaboration includes:

• Blocking adjustments that align with an actor’s physical strengths and comedic instincts.
• Choreography tweaks to ensure safe, strong movement that supports vocal production.
• Musical direction that finds key inflections, tempo adjustments, and phrasing compatible with a performer's natural voice.
• Costume fittings that allow for mobility and quick transitions in a show without intermission.

These collaborations ensure a performer's vision is integrated into the show but also meshed with the established aesthetic and technical requirements.

The Path Forward: What This Role Could Mean for Maldonado’s Career

A sustained and successful run in SIX could broaden Maldonado’s artistic opportunities. Broadway exposure repositions her as both a recording artist and a theatre actor, opening possibilities such as:

• Additional theatrical roles that leverage her acting and vocal versatility.
• Opportunities to incorporate newfound theatrical techniques into future recordings or live performances.
• Increased media visibility that may spur crossover projects in television, film, or musical theater composition.

For Pentatonix fans and theater audiences alike, Maldonado’s presence offers a chance to witness an artist in mid-career expansion—one who retains her vocal roots while diving into character-driven performance.

The Audience Takeaway: What to Expect From Maldonado’s Anne Boleyn

Expect a high-energy, stylistically bold Boleyn who channels pop-punk bite into a character that balances comedy and edge. Maldonado’s take promises:

• Vocal precision honed from years of ensemble singing coupled with raw pop-punk intensity.
• A physicality conditioned to meet the continuous demands of a one-act show.
• A comedic sensibility grounded in effortless delivery and well-timed beats.

She steps into a role that benefits from her musical background and her desire to emphasize the queen’s sass and strength. Audiences will likely see both the visible craft—tight harmonies, clean phrasing, choreographic precision—and the intangible: a performer who has found a theatrical home for her pop-rooted gifts.

FAQ

Q: When does Kirstin Maldonado start performing as Anne Boleyn in SIX? A: Maldonado officially begins performances on June 1. She auditioned for the role in 2023 and undertook early rehearsals in February to prepare.

Q: What kind of Anne Boleyn will Maldonado portray? A: Maldonado describes Boleyn as “super spicy” and intends to play her as “really badass” with effortless comedic style. She will lean into the pop-punk quality of the role and perform the show’s fan-favorite number “Don’t Lose Ur Head.”

Q: How is SIX structured, and how does that affect performers? A: SIX is a one-act musical that runs about 90 minutes without intermission. All six performers remain onstage for the duration, which creates continuous vocal and physical demands. Performers must develop stamina, coordination, and quick recovery strategies.

Q: What preparation did Maldonado undertake for this role? A: Maldonado did early rehearsals in New York beginning in February and has focused on vocal and physical conditioning, including stretching and cardio, to meet the show’s stamina requirements. She also rehearsed with the company to integrate into the ensemble’s timing and choreography.

Q: Who did Maldonado replace, and who created SIX? A: Maldonado takes over the role from Dylan Mulvaney, whose last performance was May 31. SIX was written by Toby Marlow and Lucy Moss and is a Tony Award-winning musical.

Q: Where is SIX playing, and are tickets available? A: The show is playing at the Lena Horne Theatre on Broadway. Tickets are on sale through the show’s official channels and authorized sellers.

Q: How does Maldonado’s background with Pentatonix prepare her for SIX? A: Pentatonix provided Maldonado with tight ensemble singing experience, precise harmonies, and extensive live performance practice. Those skills transfer to SIX’s vocal complexity and ensemble-driven numbers. Her touring background also contributes to the stamina and stagecraft required for a demanding theatrical run.

Q: Will Maldonado’s run influence future crossover casting on Broadway? A: Her casting continues a trend of pop and crossover artists entering Broadway, particularly as new musicals adopt contemporary musical styles. Producers value both the performance skills such artists bring and their ability to attract broader audiences.

Q: How does SIX reinterpret historical figures like Anne Boleyn? A: SIX reframes Henry VIII’s wives as modern pop archetypes, using song and genre to let each woman speak in her own voice. The show prioritizes contemporary resonance over strict historical accuracy, using humor and musical language to highlight themes of agency and narrative control.

Q: What should audience members know before attending a performance with Maldonado? A: Plan for a compact, high-energy 90-minute experience without intermission. Arrive early, review the performance schedule, and check for casting announcements if you’re hoping to see Maldonado specifically. Expect a concert-like atmosphere integrated with theatrical storytelling.

Kirstin Maldonado’s turn as Anne Boleyn will be watched closely by fans and theatergoers. Her blend of technical vocal skill, pop performance intuition, and earnest preparation position her to bring a fresh voice to a role that thrives on personality and edge. As SIX continues to evolve on Broadway, each new interpretation adds to the show’s ongoing conversation about history, pop culture, and the power of women telling their own stories onstage.